A very slick and powerful "Breaking News" theme, highly suitable for television news broadcast, network news, online news media, current affairs, business report, latest update of information. The track goes through various different stages.
A moody and atmospheric underscore / background track with a certain ancient or exotic feel. Warped ethnic / indigenous flutes combine with rhythmic elements of both modern and ancient / ethnic origins. Good for world / travel, discovery, history
A somewhat quirky and intriguing underscore for film or other media, Led by a musical box / toy piano with trumpet and solo violin joining in later, Good for use in film soundtracks, this track has a sense of mystery and mindfulness,
Harry Potter meets the Addams Family in Wisteria Lane! An engaging black comedy symphony with dark, eccentric orchestration, a woozy hookline and big brassy ending. Good for ads or rolling credits with a central theme of 30 seconds duration.
A quiet reflective track in the style of Schindler's List that will work for scenes of pain, grief, weeping and sorrow.
A simple piece that has an high emotional melody that will carry any sad scene, the small amount of orchestration in this cue adds a great deal of depth giving the track and sense of journey.
A epic, grand, drama / trailer track. Brass and orchestra blast out while underpinned by layers of epic and rock percussion. Suitable for epic trailers, dramatic trailers, climactic scenes.
A celebratory and swashbuckling track of splendor and bravery. Towards new horizons, and onwards to ever greater achievements.
A reflective, melancholic, but also hopeful and heartwarming piece. A warm sound featuring grand piano and a transparent production. Reflection / Hope / Melancholy / Comforting.
A fresh and feelgood instrumental track with a taste of the excotic, Eastern. Could be India, Middle East, Arabia, Egypt, Dubai etc. A very positive and inviting feel. Great for commercials, travel, adventure, holiday and discovery.
A haunting ethnic track with flutes, duduk, big drums and full orchestra. A couple big swells mark the first half and then the track becomes much more atmospheric and moody at the halfway mark. One final swell leads into the end of the piece.