Music genre
Hardbeat music
Killer Glam
Wesley Devine
Hardcore techno, breakbeat track mixed with elements of the Glam Rock of the 1970's, this unique and cheeky number is both gritty, nasty, fun and funky. Good for sports, extreme sports, motorsports, racing, any high impact, high energy footage.
Standard License
Battlezone
Michael Stephen Decker
A tough, uncompromising, state-of-the-art soundtrack. Its driving, futuristic sounds & orchestral pay off would suit epic visuals, gaming, war themes, movie trailers & films. Stark instrumentation leaves room for narrative, epic sound design or added SFX.
Standard License
Bang Boom
Stefan Bode
A big, bad, slamming, rough track somewhere between techno, rock, big beat and industrialism. Determined, aggressive, relentless. Guitar riffs with a big, downtempo beat and acidic synths.
Standard License
Street Cred
Felipe Adorno Vassao
Hip Hop, Rap-core, Metal-rap, Rock, Funk. Confident and aggressive metal meets rap song, in the style of Limp Bizkit or Papa Roach. Heavy guitars, funky heavy drums and some scratching.
Standard License
Deathmatch
Felipe Adorno Vassao
Pounding guitar riff combined with a Industrial Dubstep beat. Metallic and glitchy tones. Lots of balls and an evil spirit. Works with fight, boxing, UFC, MMA and anything that needs big cojones.
Standard License
Cutting Edge
Pierre Gerwig Langer
Rough, funky guitar riffs. Determined, forceful, aggressive, confident. Big Beat style rhythm, taking no prisoners and combining elements of techno, post-industrial techno, mech/tech, raw power, etc. Good for hard edgy visual presentations.
Standard License
Battle Stations
Felipe Adorno Vassao
Bold and confident Big Beat track in the style of The Crystal Method and Leftfield. Gritty synthesizer lines, distorted guitars and some orchestral elements over a pounding Hip Hop breakbeat. Cool for military, gaming, sports and action.
Standard License
Party Like A Rockstar
Wesley Devine
Spandex 80's Rock combined with dark Hip-Hop, and with a futuristic twist. Features the vocal 'Party like a rockstar' - ideal for throwback party scenes, extreme sport and 'rough & ready' footage.
Standard License
Plasma Racer
Felipe Adorno Vassao
Distorted bass line combined with aggressive drums. Big Beat tune in the style of Prodigy, featuring several nervous electronica elements.
Standard License
Man Up
Piotr Pacyna
Big stomps, fat claps, feisty guitar riffs. Badass sexy big beats with swagger and attitude.
Standard License
Critical Levels
Wesley Devine
Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scene theme. Super fast-paced and relentless, imagine the moment when the heist crew accidentally trip the alarm and need to make a sharp exit! .
Standard License
Let's Get Ready To Rumble
Luke Bosworth
A fight is brewing in this grungy rock track. A menacing introduction to the piece sets the tense nature and builds as tempers overflow into an aggressive guitar based soundtrack. Dramatic and hard, this has a really forceful atmosphere.
Standard License
Strip Poker
Daniel Alan Gautreau
A rough and dirty, guitar riffing rock track with a daring / confident / risky / gritty feel. Has a certain level of energy and aggression, but without going into heavy metal - more classic rock style. Slight retro feel. Good for "rough and tumble".
Standard License
Let's Go Punk
Wesley Devine
Uptempo punk rock track, unstoppable, takes no prisoners, ideal for use with extreme sports, motor racing and high impact action scenes.
Standard License
Into Hell
Wesley Devine
A fierce, almost ugly, electro / hardcore / metal rock crossover track, Very dark, with mangled and twisted sounds of rock and electro mayhem, Destructive, post apocalyptic, Harsh, unfriendly and chaotic, Not for the faint hearted.
Standard License