Music genre
Hardbeat music
Skunk Splash
Stobierski Thomas
Somewhat avant-garde rock track, pushing the boundaries between techno, industrial and guitar-blazing rock'n roll. Not for the faint hearted.
Standard License
Party Like A Rockstar
Wesley Devine
Spandex 80's Rock combined with dark Hip-Hop, and with a futuristic twist. Features the vocal 'Party like a rockstar' - ideal for throwback party scenes, extreme sport and 'rough & ready' footage.
Standard License
Queen Of Spades
Daniel Peter Morrissey
Very hypnotic, trance-like and seductive piece full of groove and Eastern promise. Groove coloured by Eastern strings, santoors and percussion slowly builds in intensity until the final climax where huge guitar riffs enter and bring the tune to its close.
Standard License
Slow Jam Rock
Wesley Devine
Post-industrial Electro Dub Metal / Hard Rock crossover with a very heavy edge. Snarling guitar riffs combine with acidic synthesizers and a slow, methodical and relentless beat.
Standard License
Domin8
Wesley Devine
Hard and edgy, downtempo, industrial rock. Hard biting guitar guitars with slamming drums and a gritty, edgy sound.
Standard License
Cutting Edge
Pierre Gerwig Langer
Rough, funky guitar riffs. Determined, forceful, aggressive, confident. Big Beat style rhythm, taking no prisoners and combining elements of techno, post-industrial techno, mech/tech, raw power, etc. Good for hard edgy visual presentations.
Standard License
Man Up
Piotr Pacyna
Big stomps, fat claps, feisty guitar riffs. Badass sexy big beats with swagger and attitude.
Standard License
Off The Hook
Piotr Pacyna
Big stomps, fat claps, feisty guitar riffs. Badass sexy big beats with swagger and attitude.
Standard License
The Crystal Mayhem
Felipe Adorno Vassao
Bad Ass Big Beat track. Distorted bass and synths combined with a slow yet very powerful breakbeat.
Standard License
Deathmatch
Felipe Adorno Vassao
Pounding guitar riff combined with a Industrial Dubstep beat. Metallic and glitchy tones. Lots of balls and an evil spirit. Works with fight, boxing, UFC, MMA and anything that needs big cojones.
Standard License
Go Time
Wesley Devine
Rock guitars, drums and mysterious ambient elements combine to give a feeling of racing across the harsh desert in a rally car, also working and achieving, pushing through. Futuristic, spooky.
Standard License
It's Going Down
Wesley Devine
Snarling bass and guitar rock riff with (scratched) vocal refrain 'It's Going Down, down, down' - ideal for extreme sport, urban culture or to signal that the action/show/event is about to start. Also available without the vocals.
Standard License
Get Ready
Wesley Devine
Glitchy bells and horns, rock guitars and dubstep beats give a feeling of working hard, physical training, breaking through the pain barrier. Ideal for combat & extreme sports, video games and advertising.
Standard License
Battlezone
Michael Stephen Decker
A tough, uncompromising, state-of-the-art soundtrack. Its driving, futuristic sounds & orchestral pay off would suit epic visuals, gaming, war themes, movie trailers & films. Stark instrumentation leaves room for narrative, epic sound design or added SFX.
Standard License
Critical Levels
Wesley Devine
Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scene theme. Super fast-paced and relentless, imagine the moment when the heist crew accidentally trip the alarm and need to make a sharp exit! .
Standard License