Music genre
Hardbeat music
Funky Rock Chase
Wesley Devine
Very hard core, industrial, violent, meltdown cyber rock. Hard biting, aggressive guitar riffs with slamming drums in a post-industrialist, gritty, hard slamming drums. Nuclear stuff. Not for the faint hearted.
Standard License
Off The Hook
Piotr Pacyna
Big stomps, fat claps, feisty guitar riffs. Badass sexy big beats with swagger and attitude.
Standard License
Monstro City
Wesley Devine
Snarling industrial beats, guitars and big horns serve up a massive mechanical, other-worldly vibe. Dark and foreboding.
Standard License
Cutting Edge
Pierre Gerwig Langer
Rough, funky guitar riffs. Determined, forceful, aggressive, confident. Big Beat style rhythm, taking no prisoners and combining elements of techno, post-industrial techno, mech/tech, raw power, etc. Good for hard edgy visual presentations.
Standard License
Last Man Standing
Damian Martin Turbull
An urban mix of heavy rock guitars, solid beats and vocal scratches. The full version introduces synth riffs to make a driving rock piece.
Standard License
Skunk Splash
Stobierski Thomas
Somewhat avant-garde rock track, pushing the boundaries between techno, industrial and guitar-blazing rock'n roll. Not for the faint hearted.
Standard License
Go Time
Wesley Devine
Rock guitars, drums and mysterious ambient elements combine to give a feeling of racing across the harsh desert in a rally car, also working and achieving, pushing through. Futuristic, spooky.
Standard License
Deathmatch
Felipe Adorno Vassao
Pounding guitar riff combined with a Industrial Dubstep beat. Metallic and glitchy tones. Lots of balls and an evil spirit. Works with fight, boxing, UFC, MMA and anything that needs big cojones.
Standard License
Game On
Felipe Adorno Vassao
Big Beat tune in the style of Prodigy. Distorted synth line and a pounding drum beat, combined with aggressive electronica elements.
Standard License
Flexion
Daniel Peter Morrissey
A solid guitar rocker that starts off with a spacey intro part (also available without this intro), and then grows into a meaty, punchy, gutsy guitar rock track. Great for action, sports, high impact footage and more.
Standard License
Critical Levels
Wesley Devine
Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scene theme. Super fast-paced and relentless, imagine the moment when the heist crew accidentally trip the alarm and need to make a sharp exit! .
Standard License
Killer Glam
Wesley Devine
Hardcore techno, breakbeat track mixed with elements of the Glam Rock of the 1970's, this unique and cheeky number is both gritty, nasty, fun and funky. Good for sports, extreme sports, motorsports, racing, any high impact, high energy footage.
Standard License
Check My Style
Wesley Devine
Gritty, dirty, hip-hop with a hardcore rock element and drum'n bass style drums. Hard, dark, extreme, war mongering. Good for extreme sports and action filled footage. Grinding guitars with slamming hip hop / electronica drums.
Standard License
Man Machine
Felipe Adorno Vassao
Pounding guitar riff combined with a Industrial Dubstep beat. Metallic and glitchy tones, with an actual wobble Dubstep section. Lots of balls and an evil spirit.
Standard License
Blast-o-beat
Aleksandar Dimitrijevic
A tough and gritty, determined and forceful big-beat track. Slow, slamming rock beat combined with nasty acidic synths and a somewhat retro funky guitar riff. Suitable for fights, brawling, hardcore sports action, motor racing.
Standard License