Music genre
Hardbeat music
Rough Rocks
Ilya Kaplan, Stan Fomin
A mean and violent negative modern rock track ala Linkin Park track with an infectious guitar riff and heavy drums
Standard License
80's Revenge
Wesley Devine
A pumping, chopped-up, mashed-up, grinding and gritty Rock, Electro crossover. Sizzling and thumping beats, as though just about to burst out. Biting hard guitar chops and industrial style synth bass. At breaking point, stuttering and pulsating.
Standard License
Showdown
Bjorn Lynne
An intense and powerful track featuring blend of several music styles, such as hip-hop, metal, rocktronica and rock. Suitable for intense, sport and epic video scenery. Tough / Power / Gutsy.
Standard License
Hell Of A Fight
Dmytro Somov
A gritty, sharp and nasty hard rock track with 'epic trailer' tendencies. Big pounding percussion and orchestra provide the backdrop for a biting, snarling guitar riff and powerful rock drums. Violent / Dark / Raw.
Standard License
Monstro City
Wesley Devine
Snarling industrial beats, guitars and big horns serve up a massive mechanical, other-worldly vibe. Dark and foreboding.
Standard License
Let's Get Ready To Rumble
Luke Bosworth
A fight is brewing in this grungy rock track. A menacing introduction to the piece sets the tense nature and builds as tempers overflow into an aggressive guitar based soundtrack. Dramatic and hard, this has a really forceful atmosphere.
Standard License
Battlezone
Michael Stephen Decker
A tough, uncompromising, state-of-the-art soundtrack. Its driving, futuristic sounds & orchestral pay off would suit epic visuals, gaming, war themes, movie trailers & films. Stark instrumentation leaves room for narrative, epic sound design or added SFX.
Standard License
Dub Metal
Wesley Devine
A hard biting, industrial rock/metal track with chunky, aggressive guitar riffs, slamming drums and alarming synth arrangements. The track changes from half-time to double-time, giving it both a 'very slow' and 'fast' feel.
Standard License
Let's Go Punk
Wesley Devine
Uptempo punk rock track, unstoppable, takes no prisoners, ideal for use with extreme sports, motor racing and high impact action scenes.
Standard License
Critical Levels
Wesley Devine
Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scene theme. Super fast-paced and relentless, imagine the moment when the heist crew accidentally trip the alarm and need to make a sharp exit! .
Standard License
Driven
Stefan Bode
Edgy and heavy, electro / rock Big Beat track. A ballsy guitar riff leads the way, with a slamming drum beat and distorted bass following through. Determined, gritty and macho.
Standard License
Rock-solid
Dmitri Belichenko
A guitar driven track with electronic elements and fast pace drums. A very fast pace and energetic track full of twist and turns. Great for racing, extreme sports, car/bike commercials, exciting and edgy footage, crime in progress, etc.
Standard License
Supercharger
Wesley Devine
Gritty, slamming Blues-rock, Rocktronica & EDM fx, with a mean streak. Great for things like action, chase, crime in progress, criminal activity, sports and action-sports, motorsports, anything macho, big cojones, etc.
Standard License
Breaking In
Felipe Adorno Vassao
Funky guitar elements and driving synth melodies combined with a powerful drum beat. Confident Big Beat track with lots of editing cues.
Standard License
So Nasty
Wesley Devine
A serously noisy Heavy Metal / Industrial Rock / Breakbeat mash-up. 'Nuff said.
Standard License