Music genre
Hardbeat music
Boom Guards
Pierre Gerwig Langer
A seriously funky and gritty, groovy, filtered guitar riff join up with distorted bass and slamming Big Beat style drums. Hardcore big-beat / metal / electronic / industrial crossover with elements of heavy metal. Powerful, determined.
Standard License
Strip Poker
Daniel Alan Gautreau
A rough and dirty, guitar riffing rock track with a daring / confident / risky / gritty feel. Has a certain level of energy and aggression, but without going into heavy metal - more classic rock style. Slight retro feel. Good for "rough and tumble".
Standard License
Right Here
Stefan Bode
Edgy, rough electro / big-beat / drum'n bass / rock. Trippy synths combine with guitar riffs and choppy effects to create a busy and slightly disturbing track.
Standard License
Bring Me To Life
Stefan Bode
A slow, edgy, rough and bad-ass Big Beat track. Good for action, sports / extreme sports, crime in progress, dirt and grit, chase down, fights and brawls, edgy footage etc.
Standard License
Cortex
Wesley Devine
A dark and brooding track with twisted synth textures and a deep, dark, heavy guitar chugging away in the background like an overgrown, powerful engine. Slow drums with an industrial, post-modern feel. Strength, confidence, dominance.
Standard License
Street Cred
Felipe Adorno Vassao
Hip Hop, Rap-core, Metal-rap, Rock, Funk. Confident and aggressive metal meets rap song, in the style of Limp Bizkit or Papa Roach. Heavy guitars, funky heavy drums and some scratching.
Standard License
Skunk Splash
Stobierski Thomas
Somewhat avant-garde rock track, pushing the boundaries between techno, industrial and guitar-blazing rock'n roll. Not for the faint hearted.
Standard License
Battlezone
Michael Stephen Decker
A tough, uncompromising, state-of-the-art soundtrack. Its driving, futuristic sounds & orchestral pay off would suit epic visuals, gaming, war themes, movie trailers & films. Stark instrumentation leaves room for narrative, epic sound design or added SFX.
Standard License
Cutting Edge
Pierre Gerwig Langer
Rough, funky guitar riffs. Determined, forceful, aggressive, confident. Big Beat style rhythm, taking no prisoners and combining elements of techno, post-industrial techno, mech/tech, raw power, etc. Good for hard edgy visual presentations.
Standard License
Go Time
Wesley Devine
Rock guitars, drums and mysterious ambient elements combine to give a feeling of racing across the harsh desert in a rally car, also working and achieving, pushing through. Futuristic, spooky.
Standard License
Let's Go Punk
Wesley Devine
Uptempo punk rock track, unstoppable, takes no prisoners, ideal for use with extreme sports, motor racing and high impact action scenes.
Standard License
Harness Your Power
Pierre Gerwig Langer
Intense, fiery and fierce hard rock track, Barking and snarling guitars, A very aggressive sound, High intensity, Good for destruction derby, violence, fights / brawls, hardcore action.
Standard License
Killer Glam
Wesley Devine
Hardcore techno, breakbeat track mixed with elements of the Glam Rock of the 1970's, this unique and cheeky number is both gritty, nasty, fun and funky. Good for sports, extreme sports, motorsports, racing, any high impact, high energy footage.
Standard License
Evil Beat
Wesley Devine
A very dark, down and dirty track blending industrial, electronic and rock elements. Rough guitar riffs, machine like downtempo rhythms, metallic scrapes and a repetitive synth bass creates a pumping, sizzling groove.
Standard License
So Nasty
Wesley Devine
A serously noisy Heavy Metal / Industrial Rock / Breakbeat mash-up. 'Nuff said.
Standard License