Mood / Emotion
Suspicious music
Walls
Bjorn Lynne
Sneaky, suspicious, ambient track with a sense of future, sci-fi, space. Could be good for a scene of exploring a dangerous place, abandoned spaceship or warehouse, strange alien planet, etc.
Standard License
Nowhere To Go
Forte Fill
The musical composition with drum grooves, electronic ethnic instruments. It’s dark, mysterious, suspensive.
Standard License
Black Waters
Bjorn Lynne
A dark, brooding underscore for mystery and tension. Sci-fi / Futuristic; can also be desert / wasteland, abandoned warehouse or other location. Doom laden, cold, desolate. Threatening / uneasy. There is also a "No Drums" version.
Standard License
Orbital
Thomas Hogan
A lush, cinematic, instrumental rock track consisting of electric guitar, bass, drums, and synths. Suspense, highlight a dramatic crescendo, or reinforce your cinematic environment. Moody / Atmospheric.
Standard License
Upside Down
Felipe Adorno Vassao
Inspired by 1980's sci-fi and horror films revived today by things that are strange. An ominous blend of synthesizers and orchestral tones, with a repetitive tense motif.
Standard License
The Cover Up
Alex Khaskin
Mysterious, eerie, and a little dark, this uptempo piece is compelling. Features bells, lots of contemporary percussion and drums and a mandolin.
Standard License
Darkness Ahead
Emmett Cooke
Opening with moving electronic sounds, and pounding drums, this is a powerful and cinematic track which creates a heroic and huge sound. An unusual mix of electronic and orchestral sounds which creates a dark and determined feeling.
Standard License
Funky East Side
Aleksandar Dimitrijevic
Stripped-down, funky hip-hop. Dry and transparent, sub bass, crisp electronic drums, occasional orchestral licks and subtle voices.
Standard License
Insomnia
Jonathan Geer
Anxious, nervous, clock-ticking tension in this insistent piece. Strings and mallets play a nerve-wracking melody while the clocks keep on ticking.
Standard License
Galactus
Emmett Cooke
A dark and driving cinematic cue consisting of strings, electronic drums and ominous synths. A huge sounding track which is epic in every sense - some unusual key changes create a powerful and unique sound.
Standard License
West Gate
Bjorn Lynne
A powerful, intense track featuring a blend of epic orchestra and pulsating synths in bass and lead section. Tension / Brooding / Ominous / Fight.
Standard License
Trackers
Bjorn Lynne
Orchestra with power guitars and electronics. The first part is tense, somewhat dark, with a slight industrial edge. At 01:14 breakbeat style drums and bass groove.
Standard License
Poisoned Planet
Bjorn Lynne
Dark, tense, with a somewhat Tribal feel. Can be ancient cultures / religions / mystical world history, or Futuristic / Sci-fi / Adventure. Ethereal pads, tribal percussion, mangled synth sounds. Chanting, war like vocals join in towards the end.
Standard License
Playing Dirty
Erik Haddad
That conniving, mean spirited character is causing trouble again! This plodding mid-tempo orchestral piece has a playfully dark and whimsical vibe. Punctuated strings, jangly percussion, oboe, timpani, etc. The mischievous villain ruining everybody's fun.
Standard License
Near Thing
Ferenc Hegedus
A dark, rhythmic, orchestral track suitable for conflict, battle, chase or impending action. A methodical rhythm creates a sense of something relentless, malevolent. Builds to a climax towards the end.
Standard License