Production genre
Crime / Gangster
Keep Out
Chun Han Chi
Horror Mystery Soundtrack. First sneaky, then more urgent, desperate. Chaotic / Lost / Panic / Can't breathe.
Standard License
Lenny
Julio Kladniew
Groovy, cool and funky rock track in the style and sound of Lenny Kravitz.
Standard License
The Rocket
Alexander John Ericson
Classic rock / hard rock style guitar riffing with a bad attitude.
Standard License
Texas Highway
Alexander John Ericson
A sombre, somewhat dark and mysterious Blues / Southern track based on a rough acoustic guitar rif and a hazy bed of piano and pads which gives the track a sense of the unreal or intangible. Introspective, thoughtful, doom laden. Pensive / Dark country.
Standard License
Deviation Zero
Kevin Woods
Heavy and edgy, featuring a gritty electric guitar riff, driving drums, buzzy synth, epic piano and percusive hits that create a bold and rebellious mood.
Standard License
Groovy Aliens
Wesley Devine
Digital, futuristic techno-funk with some aggression. Thumping synth bass swell, biting guitar riffs, squeaky synths and blippy digitals combine in hard rock, breakbeat crossover. Techno, electro, grind, drum'n bass, hard rock, metal, funk and disco.
Standard License
Time Machine
Bjorn Lynne
Fast and menacing dark trance, driven by a ticking clock. Booming techno rhythm, sizzling space synths, fast beat and furious breaks.
Standard License
Alien Invasion
Rafael Krux
A dark, cinematic, ambient track made with dark drones, pads and spooky whistling sounds. Evolving / Tension / Thriller / Horror.
Standard License
Gang Leader
Stephen William Cornish
Seedy and sinister, this modern urban track is mysterious and dark.
Standard License
Time Stood Still
Daniel Peter Morrissey
Very slow hypnotic beat with mega heavy guitar riffing. Dark, powerful, pumping and sizzling.
Standard License
City Siege
Felipe Adorno Vassao
Electronica infused orchestral music. Synth low pulse drives the music, joined by low drones and epic percussion. Orchestra comes in. Good for war preparation, rendezvous scenes, crime investigation and more. Cinematic, Action, War, Crime, Police.
Standard License
Let's Get It
Wesley Devine
Up-beat, funky, retro breaks feel with vocoder voice.
Standard License
Crusher
Anthony Clarkson
Anvil hammering effect with synth and choir backing combined with prominent drums produces big factory sounds.
Standard License
Beyond The Wall
Krzysztof Rzeznicki
Pulsating, monotonous bass. Evokes a sense of menace, mystery, uncertainty and tension. Suitable for dramatic films, spies and undercover agents, criminals / crime in progress and stakeout operations.
Standard License
Funky East Side
Aleksandar Dimitrijevic
Stripped-down, funky hip-hop. Dry and transparent, sub bass, crisp electronic drums, occasional orchestral licks and subtle voices.
Standard License