Mood / Emotion
Dark music
Texas Highway
Alexander John Ericson
A sombre, somewhat dark and mysterious Blues / Southern track based on a rough acoustic guitar rif and a hazy bed of piano and pads which gives the track a sense of the unreal or intangible. Introspective, thoughtful, doom laden. Pensive / Dark country.
Standard License
Ready For Showtime
Wesley Devine
Mixing hip hop breaks and orchestral brass and strings to create that classic 'fight night' sound. Vocal hooks, 'Getting ready for showtime' and 'Y'all ready? Let's go'. Combat sports, gangster theme tunes, games, advertising masculine products.
Standard License
Prayer
Alex Khaskin
Mystical / Mysterious world / ethnic underscore, sound design combining Middle Eastern reed / wind instruments with ethnic percussion, ambient pads and more modern sounding bass pulse. A sense of something secret, ancient, unknown, under the surface
Standard License
Big Ambience With Pulse
Alex Khaskin
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with creepy piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening).
Standard License
Monstro City
Wesley Devine
Snarling industrial beats, guitars and big horns serve up a massive mechanical, other-worldly vibe. Dark and foreboding.
Standard License
Dark Synth
Timothy Philip Jenkins
Dark, downtempo experimental track with hip-hop synth feel. Slow, methodical groove.
Standard License
Emergency Room
Alex Khaskin
This piece of electronic music is perfect for any scene of rushing or urgency within a hospital or medical facility. Included in this track is the beeping and ticking sound of a typical heart and blood pressure monitor at bedside.
Standard License
Dark Breed
Bjorn Lynne
A dark, somewhat menacing and mysterious synth bass pulse combines with occasional guitar. Edgy and ominous, this track can work for scifi, future, dark corporation, building tension. Half-time rock drums join in toward the end.
Standard License
Dead Mans Trap
Wesley Devine
A dark and atmospheric Trap / Drill beat with monstrous brass stabs creates a feeling of impending doom. Great for use with combat sports, crime, gaming, sci-fi and animation.
Standard License
Rich
Wesley Devine
Maximum swag, Electronica / Hip Hop with vocal refrains 'I'm Rich' & 'Dollars in my hand', ideal for use with flexing/Urban scenes, girl power, fashion & advertising and A-list celebrities. A version without the vocals is also available.
Standard License
Destruct
Wesley Devine
Monstrous dubstep synths, horns and rock guitars combine in a heaving, grinding, violent head bopper - ideal for extreme sports and gaming.
Standard License
Mission Infiltration
Lukasz StasinskiStandard License
Straight to Win
Simon BrewerStandard License
Shelter
Michael Bozzo
Heavy, overdriven, hardcore guitar riffs and chords. Pounding drums and solid low end bass.
Standard License
Dirty Blood
Ferenc Hegedus
Downtempo hip hop, slightly dramatic, sparse, with a dark edge, like all is not well. Orchestral stabs, synth licks, funky bass line. Inner city stories. Hip-hop in the style of 50 Cent, Eminem and more.
Standard License