Production genre
Thrillers
No Exit
Dmitriy Lukyanov
Film score cinematic track. Made in the best action traditions. Full symphonic orchestra.Pursuit no exit.Ostinato bass and brass. Feeling of anxiety,worry.Contains 3 parts. Very good for movie projects action, thriller. Fast, motivated, power.
Standard License
Enter The Machine
Emmett Cooke
A cue consisting mainly of electronic sounds and synths. Large "bram" sounds from brass mixed with epic sounding strings which create a large cinematic sound. Distorted drums and driving guitars make this a huge sounding track.
Standard License
Disintegrate
Aleksandar Dimitrijevic
Dark Dub / Breaks. Downtempo, grimy beats. Machine like / Futuristic / Aggressive / Dark Electronica / Robotic / Mean / Strong. Also available without the vocal samples.
Standard License
Universe
Daniel Peter Morrissey
Dark, exciting, adrenalized & tension-filled rock track with electronic & orchestral elements. Very driven & powerful. Picks you up and throws you around. Would suit high drama / thriller / action / extreme sports projects.
Standard License
Pigeon Parts
Michael Bozzo
Heavy driving, energetic electric guitar riff rock song. Good for sports, martial arts, fighting, porn, strippers, sex, action or adventure sequence.
Standard License
Doom Machine
David Flavin, Kenneth Favell
Aggressive, in your face, industrial track. FX and synth riffs throughout.
Standard License
The Abyss
Vincent VarcoStandard License
Tension Hunters
Palash Sunvaiya
Thriller, suspense and tension. Great for police operation, swat team, crime in progress, stakeout, spy / undercover and more. Blend, combine, crop and join the loop pieces.
Standard License
Junkyard Madness
Barry Gilbey
A industrial style percussive track with large cinematic production which invites into a story. Drums more and more intense towards the end, rhythm and metal industrial percussion brings the track to a climatic, epic and dramatic end.
Standard License
Inspired Cyborg
David Flavin, Kenneth Favell
Industrial track with multi layers of percussion, synth pads, guitars and drums. Moving and building to a string climax.
Standard License
Dark Side
Krzysztof Rzeznicki
Low, massive, propulsive bass. Ominous, spatial percussion instruments. Evokes a sense of unease, tension, and threat. Ideal for projects related to tension, crime, and drama.
Standard License
Criminal Pulse
Felipe Adorno Vassao
Electronica infused orchestral music. Synth low pulse drives the music with anticipation, joined by low drones and epic percussion. Good for war preparation, rendezvous scenes, crime investigation, video games and more.
Standard License
Emergency Cut
Krzysztof Rzeznicki
Pulsing, steady, rhythmic and ominous soundscape building with percussion, action-packed sound design and guitars. Hard / Dangerous / Violent / Critical.
Standard License
Upsilon (darktronic mix)
Radoslaw KochmanStandard License
Time Stood Still
Daniel Peter Morrissey
Very slow hypnotic beat with mega heavy guitar riffing. Dark, powerful, pumping and sizzling.
Standard License