Production genre
Crime / Gangster
Funk Stomp
Wesley Devine
Retro funk-rock blues brothers riffs with dance elements, funky and stomping with a cheeky grin, great for comedians, spies and superheroes alike! .
Standard License
International Incident
Anthony Clarkson
Modern synths, sound effects and drums in techno / industrial piece. 'Busy' sounds bounce around stereo image creating a hard, edgy atmosphere.
Standard License
Bad Ass Hip Hop
Felipe Adorno Vassao
Powerful and macho Hip Hop beat, with 808 bass drum, catchy synth motif and those 'hey hey' samples found on several southern hip hop styles.
Standard License
Bite The Grit
Piotr Pacyna
Powerful hybrid rock track with meaty riffs, smashing drums and sharp synths. At 0'40' and 1'32' drums switch to double-time. Action / Fearless / Driving / Edgy / Positive.
Standard License
Skyline
Kevin Woods
Electronic underscore with large percussion, warm synth tones, buzzy synth appregios and complex Moog undertones. Sports, Crime, Automotive.
Standard License
Zilla Killa
Wesley Devine
A Rock / Dubstep hybrid groove preceded by a long, building electronic intro. As the name suggests, this is the kind of track monsters listen to while smashing through sky scrapers and causing major panic on city streets!
Standard License
Predator
Dmitriy Lukyanov
This track was made in an action genre.Background is an ostinato piano and big drums that creating a worry and tension feelings.Fast,tension well-suited for film projects with the pursuit.Lion chases an antelope for example why not?
Standard License
Dredge
Daniel Peter Morrissey
Hefty, dirty, grungey, intense, primitive, powerful, loud & mean rock track mixing monster guitar riffs & determined weighty drums. Sleazy, gutsy, gritty, rebellious, fiery & relentless. Would suit action / thriller / combat / military / extreme sports.
Standard License
Battle Stations
Felipe Adorno Vassao
Bold and confident Big Beat track in the style of The Crystal Method and Leftfield. Gritty synthesizer lines, distorted guitars and some orchestral elements over a pounding Hip Hop breakbeat. Cool for military, gaming, sports and action.
Standard License
Freak On Da Beat
Wesley Devine
Fast-paced and urban, nasty breakbeats and synths featuring vocal refrain 'Like a freak on the Beat'. Ideal for extreme sports, gaming and advertising. Also available without the vocal parts.
Standard License
Urban Darkness series, Part 06
Bjorn Lynne
Malicious, action, metalling percussion, staccato strings. Chase, battle, conflict.
Standard License
Inspired Cyborg
David Flavin, Kenneth Favell
Industrial track with multi layers of percussion, synth pads, guitars and drums. Moving and building to a string climax.
Standard License
Can You Chase Me
Pawel Orlow
A thrilling, pulsating and modern action-filled, gritty and raw, action percussion track. Intense and stressed. Great for spies, secret agents, covert missions, chase, crime in progress, swat team, etc.
Standard License
The Heist
Daniel Peter Morrissey
Imagine being a world renowned jewel thief on your latest job. Great tension in the air, your mind starting to spin with adrenaline, sweat beading on your forehead, trying to stop your hands shaking. A mental picture of the suspense and thrill.
Standard License
Provoked
Alexander Khaskin
A short film or television drama cue, suitable for crime thriller, mystery or an intense drama. Ticking rhythm, pensive movement, building to a crescendo. Perhaps a terrible realization or a gruesome discovery.
Standard License