Production genre
Thrillers
Not A Good Place To Be
Andy Potterton
A quiet introduction hides the loud drums that take over. An eerie atmosphere.
Standard License
Full Moon
Erik Haddad
A nerve wrecking, tension building orchestral piece with a suspenseful ascending theme. Good for horror and thriller productions.
Standard License
Raiders Of The Apocalypse
Rafael Krux
Suspenseful, tense, cinematic track. Uneasy nerve, danger on the horizon. Ominous / Foreboding. This track features a full stop and re-start at around 1 minute which can be useful in editing the music to your content, for dramatic effect.
Standard License
Into The Cold
Andrew Kenneth Bukowski
A moody, echoing march. Heave synth sounds, sparse melodies. Sets a mood that is ominous and mysterious.
Standard License
Urban Darkness series, Part 20
Bjorn Lynne
Chase, battle, conflict - industrial percussion, synth pulse, orchestral backdrop
Standard License
Unseen Terrors
Bjorn Lynne
Horror, scifi or thriller underscore featuring severely mangled guitar notes, deep thumping percussion and a disturbing drone. Like the desolate sound from the pits of hell, this is a very dark ambient track.
Standard License
Dark Ambience 1
Alex Khaskin
A darkly ambient, threatening and unnerving underscore. Suitable for tense and pensive drama scenes, reality show, documentary, dangerous situations, nervous undertow.
Standard License
Mind Of The Machine
Erik Haddad
Intense CSI styled cue with pulsating cinematic drums/percussion, eerie atmospherics and pads, and a gradual build in intensity. Great for forensic mystery, criminal minds, tracking the killer, time running out, etc.
Standard License
Enter The Machine
Emmett Cooke
A cue consisting mainly of electronic sounds and synths. Large "bram" sounds from brass mixed with epic sounding strings which create a large cinematic sound. Distorted drums and driving guitars make this a huge sounding track.
Standard License
Howling Of The Night
Pawel Blaszczak
Dark ambient, Horror underscore. Mysterious / Noisy / Investigative / Suspicious. Cold. Varying degrees of intensity.
Standard License
Trailer Madness
Dmitri Belichenko
Edgy, distorted, mechanical sounding, with huge drums and bit-crushed, acidic synths. Very dark. Doom laden, with pounding percussion and a relentless, aggressive feel. Orchestral sounds mangled and combined with edgy synth work.
Standard License
Crime
Alex Khaskin
Dark groovy drive sound track for action film. Massive drum beat with deep bass guitar and distorted electric guitar. Hard criminal music.
Standard License
Mecha Rising
Dmitri Belichenko
An epic hybrid trailer track with larger than life hits. This track is a must have for any epic movie or video game trailer. Dark and edgy.
Standard License
Darkest Corners
Erik Haddad
A very dark and unsettling orchestral instrumental. Suitable for productions involving horror, suspense, thriller, etc.
Standard License
Dark Ages Undertow
Bjorn Lynne
Low level, dark drama underscore. Suspenseful, suggestive. Cello, piano, subtle horns and string section. Intrigue, drama, personal conflict. Good as background for drama or dialogue in thriller, horror or any dark, serious film scene.
Standard License