Production genre
Crime / Gangster
Walls
Bjorn Lynne
Sneaky, suspicious, ambient track with a sense of future, sci-fi, space. Could be good for a scene of exploring a dangerous place, abandoned spaceship or warehouse, strange alien planet, etc.
Standard License
Public Announcement Three
Michael Bozzo
Dark distorted electric rock guitar with a middle eastern feel and driving bass guitar pedal point riff.
Standard License
Dangerous Conspiracy
Krzysztof Rzeznicki
Modern, propulsive, restless bass. A sense of suspension, unease, and threat. Tension evolving towards trailer music. Tension / Trailer / Modern Music.
Standard License
Psycho Comin
Rich BanksStandard License
Unloaded
Piotr Pacyna
Powerful, excited, hard-hitting rock track with a lot of attitude. Infectious guitar riffs and pounding drums. Bold / Fearless / Gutsy / Punchy.
Standard License
Get Ready
Wesley Devine
Glitchy bells and horns, rock guitars and dubstep beats give a feeling of working hard, physical training, breaking through the pain barrier. Ideal for combat & extreme sports, video games and advertising.
Standard License
The Crusher
Wesley Devine
Tough, mean and evil breakbeats and metal guitars groove with atmospheric and dream-like elements. Works great with extreme sports, adventure and action scenes, crime-in-progress and more.
Standard License
Crime Risk
Krzysztof Rzeznicki
Dark Hip-Hop and orchestral mix, with a secretive mood. Spy / Crime / Ominous / Edgy.
Standard License
Classified Information
Stephen William Cornish
Subversive actions in this dark and tense track dominated by synths and effects.
Standard License
Slow Joe
Jonathan AtkinsonStandard License
Compulsion
Michael Stephen Decker
Deep anticipation into filtered drums, scattered instrumentation and an uneasy, thrilling sensation. Top & tailed with twisted, eerie strings giving a climactic feeling of fear & forbodding.
Standard License
Floating Point
Wesley Devine
Minimal, sparse hip hop groove, slightly yearning, totally futuristic. Great for advertising, sport, technology, gaming and urban / youth culture.
Standard License
Into Hell
Wesley Devine
A fierce, almost ugly, electro / hardcore / metal rock crossover track, Very dark, with mangled and twisted sounds of rock and electro mayhem, Destructive, post apocalyptic, Harsh, unfriendly and chaotic, Not for the faint hearted.
Standard License
On Da Hustle
Wesley Devine
Classic 70's dirty funk sound with a modern Hip Hop feel.
Standard License
Hit Man
Ilya Kaplan, Stan Fomin
A dark tense track with a sharp rhythm loop sound design and mean bass line. A sense of suspense and apprehension mixed with confidence and cold hearted -ness. An efficient hit man assembling a sniper rifle and preparing for the kill.
Standard License