Production genre
Crime / Gangster
Right Here
Stefan Bode
Edgy, rough electro / big-beat / drum'n bass / rock. Trippy synths combine with guitar riffs and choppy effects to create a busy and slightly disturbing track.
Standard License
Criminal Obsession
Felipe Adorno Vassao
For Thriller, Suspense, Horror, Police, Crime, Investigation. Ominous repetitive piano and harp motif builds up into a full orchestral climax. Good for opening credits and crime and investigation series.
Standard License
Floating Point
Wesley Devine
Minimal, sparse hip hop groove, slightly yearning, totally futuristic. Great for advertising, sport, technology, gaming and urban / youth culture.
Standard License
Fearless
Bjorn Lynne
A dark, suspenseful and tension building track. Hybrid orchestral / electronic with nerve and a sense of urgency. Spy, secret agent, thriller, crime in progress, danger situation, etc.
Standard License
Onslaught
Daniel Peter Morrissey
A deep, low-down, gritty and gutsy, fiery and hard hitting rock / metal track. High energy level.
Standard License
Electro Symphony
Dmitri Belichenko
An experimental track with staccato violins and electronic mashed up in perfect symphony. The track opens up with emotional strings and builds up to a big electronic synthesizer breakdown. This track will work great for exciting scenes with technology.
Standard License
Burn
Dustin Taylor Phillips
Aggressive, punchy, lively rock / metal. Gutsy and with a solid punch, this would suit sports and action filled footage.
Standard License
The Chase
Rich BanksStandard License
No Mistakes
Erik Haddad
An intense instrumental track with tribal and orchestral elements. Creates a sense of urgency and danger. Great as a soundtrack.
Standard License
Urban Darkness series, Part 06
Bjorn Lynne
Malicious, action, metalling percussion, staccato strings. Chase, battle, conflict.
Standard License
Man Machine
Felipe Adorno Vassao
Pounding guitar riff combined with a Industrial Dubstep beat. Metallic and glitchy tones, with an actual wobble Dubstep section. Lots of balls and an evil spirit.
Standard License
Critical Situation
Dane Forrest Obuchowski
A dark and forceful cue, for dangerous and threatening situations. Pounding percussion gives this track a sense of urgency and stress. Dangerous / Critical / Fight.
Standard License
Bring Me To Life
Stefan Bode
A slow, edgy, rough and bad-ass Big Beat track. Good for action, sports / extreme sports, crime in progress, dirt and grit, chase down, fights and brawls, edgy footage etc.
Standard License
Magnetic Turbulence
Piotr Pacyna
Hybrid industrial trailer track with pounding drums, modern sound design and busy arpeggios. Tense, urgent, violent.
Standard License
Dead Mans Island
Michael Stephen Decker
A sense of impending doom builds from distant bells to sinister cellos, drums & a climax at 2:45.
Standard License