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Herbert Clarke
Handel - Entrance Of The Queen Of Sheba
George Frideric Handel
Entrance of the Queen of Sheba from Händel's "Solomon" works. Performed live by a classical chamber string quartet, with harpsichord. Arranged and recorded by David Hamilton.
Standard License
Brahms Lullaby
Harry Standing
Sometimes called 'The Cradle Song', this instrumental version contains classical guitar with lots of reverb. Quiet strings and choir accompaniment on repeat ad to dreamy feel. Public domain music arranged by Harry Standing.
Standard License
Standard License
Creamsicle
Christopher Gerard Bernard
A simple, happy tune with an irresistible, dance-pop tempo and eighties synths that will make you want to get up and move your body in some positive way, enough said! .
Standard License
A Noble Effort
Skip Peck
A very honest and patriotic orchestration with orchestra and electric piano, vibes, acoustic guitar and tin whistle.
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Follow The Elves
Emmett Cooke
A mid-paced quirky track with a constant pulse throughout. Sinister and ominouous undertones with a dash of lighthearted innocence throughout.
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Tchaikovsky: Nutcracker March
Piotr Tchaikovsky
March from the Nutcracker suite, by Tchaikovsky. Arranged and recorded by David Hamilton.
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We have to hurry up
Forte FillStandard License
High Plains
Jeremy Sherman
Mexican trumpet over guitars and solemn church bell. Dark, sinister and dramatic with a pulp, Tarantino'esque feel.
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Slumber
Erik Haddad
A peaceful, serene orchestral piece with a relaxing mood. Great for productions related to sleep, resting, dreaming, etc.
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Steel Claws
Pierre Gerwig Langer
Urgent and dramatic action cue, suitable for chase or battle scene, military conflict, combat sports, action movie trailer or other high impact footage, Live orchestra combined with sampled percussion and fast congas patterns.
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Erics Son
Damian Martin Turbull
A light quirky keyboard riff is joined by solid beats and electronica sound effects to provide this sound designed piece, great for contemporary advertisements and media productions.
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Clarinet Conclave
Mark Allaway
Avante garde style clarinet duet that creates a really strange and uneasy atmosphere. The two cross over each other to produce a chaotic discordant sound, whilst other times a solo clarinet is given free reign to confuse you even more.
Standard License
Crashed
Vincent VarcoStandard License
Engaging Hostiles
Felipe Adorno Vassao
Electronica infused orchestral music. Tension build throughout the piece, ending with a big boom, but retaining a somewhat anticipative aura. Good for war preparation, rendezvous scenes and crime investigation and chase.
Standard License