Music genre
Hardcore music
Club Metal
Wesley Devine
EDM meets Thrash metal, guitars meet synths giving punchy, forward movement with clubby lifts and drops. Confident and powerful, ideal for extreme sports, war, chase scenes and advertising masculine products and events.
Standard License
Out For Revenge
Denys Brodovskyi
A dark, determined, edgy and slamming Electro / Techno beat track. Powerful, mechanical, forceful and methodical.
Standard License
Skrillseeker
Ferenc Hegedus
An edgy and in-your-face Electronic meets Action Soundtrack, with heavy Dubstep influences. Gritty and nasty. Secret Agent / Undercover Mission type project, or a very hard masculine TV / commercial or Sports / Extreme Sports presentation.
Standard License
Upsilon (darktronic mix)
Radoslaw KochmanStandard License
Parade Ground
Stephen William Cornish
Marching drums lead into a more modern and ominous piece with a distinct military feel.
Standard License
Ready For Showtime
Wesley Devine
Mixing hip hop breaks and orchestral brass and strings to create that classic 'fight night' sound. Vocal hooks, 'Getting ready for showtime' and 'Y'all ready? Let's go'. Combat sports, gangster theme tunes, games, advertising masculine products.
Standard License
Method Of 9
Stobierski Thomas
Fast, moving and grooving, underground trance, electronica.
Standard License
Running Scared
Wesley Devine
Hectic and busy, hurried and frantic, industrial-electro track. Chase scene, battle or fight, sports or action and more. Gritty guitars, twitchy synthesizers and fast electro drums. Stressed situation, urgent, urgency.
Standard License
Future City
Krzysztof Rzeznicki
Edgy and brooding electro beats with aggressive synths. Driving / Promo / Dark.
Standard License
Electro Stomp
Andy Potterton
Mysterious synths and effects create a haunting atmosphere for the rhythm backdrop to carry on this spooky sounding dance soundtrack.
Standard License
Complete Metal Breakdown
Wesley Devine
Metal meets Dance & Disco. Powerful and gnarly guitars and pumping beats, ideal for all hot moves, extreme sports, chases and heists, gaming and any scene needing some craziness.
Standard License
Point Of No Return
Andy Potterton
A sense of losing control throughout this hard edged techno track. Synthesised vocal saying, 'I'm on the edge' in the background'. Intense and full of impact.
Standard License
Lets Mosh
Wesley Devine
An energetic, hostile and aggressive Industrial, Hard rock, Breakbeat crossover track. Hard biting guitar riffs, slamming, stuttering and broken drums, nasty synths sputtering evil phrases and mayhem. Fighting, extreme footage, violence, etc.
Standard License
Cage Rage
Wesley Devine
Super aggressive and hard-hitting, glitched and gritty Rock Breaks. Dubstep elements, gives a feeling of extreme intensity / urban action / danger. High energy action scenes / chases and extreme sports - especially full contact sports.
Standard License
Cosmic Underground
Michael Bozzo
Strange, organic weaving bass and string-like synth lines. Images of tubes, the future, subway or commuter trains.
Standard License