Production genre
Crime / Gangster
Let's Get Ready To Rumble
Luke Bosworth
A fight is brewing in this grungy rock track. A menacing introduction to the piece sets the tense nature and builds as tempers overflow into an aggressive guitar based soundtrack. Dramatic and hard, this has a really forceful atmosphere.
Standard License
Watcher
Tim JulianoStandard License
Cold Power
Wesley Devine
A slow, restrained and understated, hip-hop style beat provide the basis for this somewhat dark track somewhere between electronica, hip-hop and cinematic soundtrack. Dark corporation or with forensics / investigation / crime solving etc.
Standard License
Manipulatrice
Bjorn Lynne
Atmospheric, spacey, slightly dark rock track with electronic elements and orchestra strings. Build-up towards the climax at 2:20. Conflict, Police / Agent, Undercover operation, Military operation etc. Futuristic / edgy / science feel.
Standard License
Slingshot
Daniel Peter Morrissey
An insanely intense, fast and furious, blood thirsty hard rocker with six billion tons of raw energy and a punch that will knock you right out. Unbeatable for sheer energy.
Standard License
Dirty Blood
Ferenc Hegedus
Downtempo hip hop, slightly dramatic, sparse, with a dark edge, like all is not well. Orchestral stabs, synth licks, funky bass line. Inner city stories. Hip-hop in the style of 50 Cent, Eminem and more.
Standard License
Party Live
Wesley Devine
Heavy-hitting and masculine Trap featuring scratched phrase, 'I came to get this party jumpin / Party Live' great for urban and nightlife scenes. Also available without the vocal parts.
Standard License
D Morrissey Immense
Daniel Peter Morrissey
Gritty, gutsy, heavy, fast, driven, intense, raw, wild & wicked metal track with irresistable energy & force. Exciting, aggressive, determined, loud & mean. Would suit extreme sports / military / combat / action thriller type projects.
Standard License
Back Off
Aleksandar Dimitrijevic
A dirty, gritty, powerful and determined industrial-techno-rock track. Slamming grit beats combine with biting guitar riffs and nasty synths to create a mean spirited Big Beat track.
Standard License
Tomtastic
Tim JulianoStandard License
Crime Investigation
Roberto Feltracco
Cinematic track if you need a background for a kind of crime scene. Suitable also for a scary scene or whenever you need tension in your background. Slow tempo, 70 bpm.
Standard License
Formulation
Jonathan Geer
A deliberate, slow collage of sound with guitar, drums, synth pads and bass and clarinet in flute in the background. Ends with solo clarinet (alternate version without clarinet ending).
Standard License
Into The Future
Damian Martin Turbull
More of a groove, than a song. A monotoneous, ever grinding dark synth pulse, rough rock style drums and a dark, synthetic, almost poisonous groove. Rough and determined.
Standard License
The Crystal Mayhem
Felipe Adorno Vassao
Bad Ass Big Beat track. Distorted bass and synths combined with a slow yet very powerful breakbeat.
Standard License
Real Steel
Felipe Adorno Vassao
Macho blues rock inspired by The Black Keys. Strong indie feel, with a masculine stomping groove. Edgy.
Standard License