Музыкальный стиль
Кинематография
Strangers On The Train 2
Alex Khaskin
Suspenseful, pensive and pulsating underscore for film, drama, documentary, crime & law, forensics, science etc. Interspersed with occasional sound effect elements. Creepy, uneasy
Standard License
The End Game
Anthony Neil Putson
A large scale track that builds and never stops. Solo piano and strings slowly build with electronic elements adding additional colour before layers of epic percussion and brass section drives the track onwards and upwards.
Standard License
Dangerous
Krzysztof Rzeznicki
Steady, rhythmic electronic tension with cinematic impacts and big drums elements and Techno influence. Power / Edgy / Future.
Standard License
Mass Production Zone
Piotr Pacyna
Intricate drum rhythms and huge hits build to a dramatic finale. Impactful, punchy percussion track. Suitable for action, chase, sports, punchy trailers, product presentations, anything that needs a solid punch.
Standard License
Call For Heroes
Pierre Gerwig Langer
A spine-tingling, hair raising, epic movie score or trailer track, Full orchestra, real live vocalist, choir, Also available in a 'rock mix' and in a 'no choir' mix, to give you mixing and editing opportunities.
Standard License
Mystery Opening Theme
Alex Khaskin
Classic mystery themes in the style of popular TV series. Some of these are recorded entirely with a live orchestra, others with a combination of orchestral and electronic elements, like so much of television music today.
Standard License
American Frontier
Ferenc Hegedus
A slow, bright and confident, powerful, soaring, "Big Sky" type cinematic score. Flying you over open plains, grand scenery, settlers and grand American adventures. Increases to a crescendo at around 50 secs.
Standard License
Battlefields
Wojciech Panufnik
Orchestral / Symphonic / Soundtrack
Standard License
The Horselords
Philip Curran
Piano, ambient synths and vocals dominate this poignant track which evokes a feeling of nostalgia for times gone by but hope for the future. Various drums and percussion are later introduced to add a layer of deep texture and reinforce the rhythm.
Standard License
Redeemed
Roland Rudzitis
Great track for a trailer. Ambient introduction turns in to an orchestral driving rock track in the style of Danny Elfman. Big sound. Bombastic.
Standard License
Oblivion
Pierre Gerwig Langer
A sad and emotional, epic drama soundtrack piece. Softly swaying string sections backed by a full philharmonic orchestra get the goosebumps out. Melodies full of emotion, between dark and light.
Standard License
Emotional State
Bjorn Lynne
An emotional, mystical, cinematic track with a touch of passion. Features big, deep piano, orchestra and large percussion ensemble. Suitable for trailers, presentations, awe and amazement - also for period drama.
Standard License
End Of Days
Iouri Sazonov
An epic and rousing track for fantasy, adventure, epic trailers. Features actual live performed orchestral instruments in combination with samples. Grand, epic, valiant, almost heavenly, with an angelic, fragile and soaring solo vocal. Orchestral sound.
Standard License
Flying Adventures
Alex Khaskin
Orchestral score for Big adventures.
Standard License
Film Score Intro
Alex Khaskin
Dark, gloomy, sinister underscore for film, TV, games, thriller, chiller, horror, etc. Rattles, echoey metal, uneasy drones and sound design. Pensive, tense, tension
Standard License