Plan actual
Créditos
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Género musical

Música Industrial

Versiones: 10

Compositores


Tempo

Medio

Nils Berholz
0:00
2:41
Dystopian, sinister steampunk dubstep track with dark synthesizers and brutal beats.
Standard License

Versiones: 5

Compositores


Tempo

Medio

Michael Stephen Decker
0:00
3:01
Builds to a driving rhythm set against incessant electronic filtered synth lines and layers of dark washes. Kinetic, powerful and modern with a forceful, animalistic edge.
Standard License

Versiones: 8

Compositores


Tempo

Medio

Aleksandar Dimitrijevic
0:00
3:22
Dark Dub / Hard electronica. Robotic / Futuristic / Mechanical. Funky Breakbeats / Machine like / Robotic. Great for body popping, funky robots, futuristic dance club, futuristic animations, etc.
Standard License

Versiones: 10

Compositores


Tempo

Rápido

Wesley Devine
0:00
2:51
Essentially an dubstup track slightly altered by the addition of a filtered guitar line. Starts with a sense of foreboding that builds into dustup drop. Great for extreme sports and energetic action sequences as well as general mayhem and destruction.
Standard License

Versiones: 12

Compositores


Tempo

Rápido

Wesley Devine
0:00
2:49
Techno, breakbeat choppy and processed beats meet up with heavy metal guitar riffs in a gritty, grindy, industrial, techno-rock mash-up. Hectic, frantic, nervous and twitchy.
Standard License

Versiones: 11

Compositores


Tempo

Medio

Piotr Pacyna
0:00
2:06
Edgy and relentless electro house/future-funk. Bass throbs drive stripped-back four-on-the-floor grooves, pulsing synths with processed vocal stabs.
Standard License

Versiones: 5

Compositores


Tempo

Rápido

David Flavin
0:00
2:05
Tense suspenseful heist in action track. Hybrid of modern electronic, rock and percussion. Heart pounding edge of your seat, nail biting worry. Time ticking with only seconds left to get out or get the bad guys.
Standard License

Versiones: 13

Compositores


Tempo

Medio

Wesley Devine
0:00
2:51
A nasty, hard-edged experimental dubstep track ideally suited for use in aggressive, fighting or military scenes or is just as suited to industrial, technology, production-line scenes. Where dubstep meets punk rock and industrial techno.
Standard License

Versiones: 10

Compositores


Tempo

Medio

Wesley Devine
0:00
2:15
Glitchy malfunction sounds drop into masculine and funky synth bass groove, works well with gaming, robots, sci-fi adventures and technology advertising and promotion.
Standard License

Versiones: 13

Compositores


Tempo

Medio

Krzysztof Rzeznicki
0:00
2:10
Powerful and edgy, massive cinematic with electro influences. Big drums / Power / Sci-fi. Tough, cold and determined.
Standard License

Versiones: 8

Compositores


Tempo

Muy rápido

Dmitri Belichenko
0:00
2:42
A heavy hitting orchestral track with dubstep elements. Big hits along with epic string bring the track up to a massive drop. Main drop is heavy with low dubstep bass and distorted drums.
Standard License

Versiones: 11

Compositores


Tempo

Medio

Wesley Devine
0:00
2:15
Snappy and spiky electronica with Dance, Dubstep and Hip-Hop elements, featuring vocal refrain, 'We rock to the rhythm'
Standard License

Versiones: 11

Compositores


Tempo

Rápido

Aleksandar Dimitrijevic
0:00
2:42
A slamming, pumping and sizzling Big Beat track. Determined, forceful, and dirty. Suitable for modern warfare, guts and glory, hard hitting sports, impact sports, tough guys on the street.
Standard License

Versiones: 10

Compositores


Tempo

Rápido

Wesley Devine
0:00
2:45
A dirty and gritty funk track with an ominous, foreboding feel. A nasty bass riff provides the basis for this somewhat doom-laden, edgy, electro/funk workout. Good for crime, action, sports and much more.
Standard License

Versiones: 12

Compositores


Tempo

Medio

Wojciech Panufnik
0:00
3:16
Contemporary electronic track with real strings parts. Cold and subdued, confident. Useful for movies and science, high-technology productions. Massive sound, emphasizing elements like, strength, power, force, etc.
Standard License