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Créditos
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Género de producción

Thrillers

Versiones: 13

Compositores


Tempo

Medio

Krzysztof Rzeznicki
0:00
2:08
Imposing and tense, building throughout cinematic epic theme. Anxious / Strong / Edgy / Dramatic.
Standard License

Versiones: 11

Compositores


Tempo

Medio

Wesley Devine
0:00
2:40
Monstrous dubstep synths, horns and rock guitars combine in a heaving, grinding, violent head bopper - ideal for extreme sports and gaming.
Standard License

Versiones: 15

Compositores


Tempo

Medio

Evgeny Emelyanov
0:00
2:15
A dark, doom laden, aggressive and gritty, semi-electronic / semi-orchestral track. The first and last thirds are relentless and violent with an industrial, edgy, futuristic sound. The middle third has a more ethnic / world feel.
Standard License

Versiones: 1

Compositores


Tempo

Medio

Alex Khaskin
0:00
1:02
A pulsating, pensive, semi-orchestral track with a nervous tension. Suitable for thriller, crime, spy conspiracy.
Standard License

Versiones: 12

Compositores


Tempo

Medio

Dmytro Somov
0:00
2:07
A powerful and forceful battle track for historical, fantasy, adventure battles. Perhaps vikings or hordes of savage invaders. Dark and powerful stuff.
Standard License

Versiones: 10

Compositores


Tempo

Medio

Michele Vanni
0:00
2:28
A pulsating synt and eerie melodies create a haunting, suspenseful atmosphere soon joined by a synt bass and an electric guitar ostinato. Electronic and Acoustic percussion help build a crescendo and reinforce the feeling of unstoppable resolution.
Standard License

Versiones: 1

Compositores


Tempo

Lento

Dane Forrest Obuchowski
0:00
1:22
A scary and violent horror / sci-fi sound design track. No musical notes, just scrapey, cold sounds and a sudden, terrifying shock at 44 secs. Disturbing and truly unpleasant.
Standard License

Versiones: 1

Compositores


Tempo

Medio

Andrew Kenneth Bukowski
0:00
2:59
Intense and atmospheric, this track would be great for setting an ominous, chaotic, evil mood. Filled with advanced string performances and an eerie choir.
Standard License

Versiones: 11

Compositores


Tempo

Medio

Emmett Cooke
0:00
2:17
A cue consisting mainly of electronic sounds and synths. Large "bram" sounds from brass mixed with epic sounding strings which create a large cinematic sound. Distorted drums and driving guitars make this a huge sounding track.
Standard License

Versiones: 6

Compositores


Tempo

Medio

Michael Bozzo
0:00
1:42
Strange, organic weaving bass and string-like synth lines. Images of tubes, the future, subway or commuter trains.
Standard License

Versiones: 9

Compositores


Tempo

Medio

0:00
2:10
Suspenseful, tense, cinematic track. Uneasy nerve, danger on the horizon. Ominous / Foreboding. This track features a full stop and re-start at around 1 minute which can be useful in editing the music to your content, for dramatic effect.
Standard License

Versiones: 11

Compositores


Tempo

Medio

Piotr Pacyna
0:00
2:04
Tense, industrial trailer type track.
Standard License

Versiones: 13

Compositores


Tempo

Medio

Krzysztof Rzeznicki
0:00
2:14
Fast rhythmic. Low, propulsive bass. Looping sequences. Suitable for scenes depicting escape, dynamic pursuits, crime in progress. Stress, chase, action, time running out. Ideal for police operations / Special Ops, crime thriller or mystery.
Standard License

Versiones: 1

Compositores


Tempo

Medio

0:00
1:43
Standard License

Versiones: 2

Compositores


Tempo

Lento

Alex Khaskin
0:00
1:07
A blast of electronics and acoustic percussion. Great to use in a chase scene, particularly if it's a chase on foot.
Standard License