Género de producción
Crimen / Gánster
Dead Mans Trap
Wesley Devine
A dark and atmospheric Trap / Drill beat with monstrous brass stabs creates a feeling of impending doom. Great for use with combat sports, crime, gaming, sci-fi and animation.
Standard License
Demonic Chase
Wesley Devine
A nasty Rock / Dubstep / Breaks straight from hell in the style of The Prodigy / Chemical Brothers / Skrillex. Foreboding pad wobbles and vocal pads crescendo into filthy distorted Rock guitar riffs, Classic fast paced breakbeats.
Standard License
Crazy Town
Wesley Devine
High-speed, frenetic paced Rock guitars and Jungle beats combined with glitchy child-like voices, ready for action scenes, destruction and mayhem! Ideal for fighting computer games, crime, gang culture.
Standard License
Distorted Reality
Dmitri Belichenko
A cinematic and edgy track with elements of movie / filmscore and hard edged Dubstep. Dramatic and epic, with piano and strings in a tense first half, and then bursting into a mechanical sounding, robotic, mean and gritty Dubstep beat in the last third.
Standard License
Assassin
Daniel Peter Morrissey
Unique blend of regal strings and horns and hefty guitars. Grooving electro beat builds slowly via a b section of clean swirling guitar and vocal loops into an explosion of guitars and drums. Very filmically dramatic, intense and quite unexpected.
Standard License
Funk Stomp
Wesley Devine
Retro funk-rock blues brothers riffs with dance elements, funky and stomping with a cheeky grin, great for comedians, spies and superheroes alike! .
Standard License
The Spirit Of Outrage
Daniel Peter Morrissey
A gutsy and groovy power rocker with a mean riff and a bad attitude.
Standard License
Beyond The Wall
Krzysztof Rzeznicki
Pulsating, monotonous bass. Evokes a sense of menace, mystery, uncertainty and tension. Suitable for dramatic films, spies and undercover agents, criminals / crime in progress and stakeout operations.
Standard License
Nemeton
Daniel Peter Morrissey
A rebellious, edgy and raw, metal rocker with a relentless forward drive and a mean streak. Very aggressive.
Standard License
Just Get There
Ross McLean
Dark and gripping cinematic underscore, with subsonic drums & timpani, arpeggiated piano and horn strikes for moments of tension and near discovery.
Standard License
Pump Action
Wesley Devine
Big, bold driven rock track with guitars turned up to eleven! Mean and slamming, ideal for extreme sports and '
Standard License
No Exit
Dmitriy Lukyanov
Film score cinematic track. Made in the best action traditions. Full symphonic orchestra.Pursuit no exit.Ostinato bass and brass. Feeling of anxiety,worry.Contains 3 parts. Very good for movie projects action, thriller. Fast, motivated, power.
Standard License
City Siege
Felipe Adorno Vassao
Electronica infused orchestral music. Synth low pulse drives the music, joined by low drones and epic percussion. Orchestra comes in. Good for war preparation, rendezvous scenes, crime investigation and more. Cinematic, Action, War, Crime, Police.
Standard License
Flaring Up
Stephen William Cornish
Forceful and unfriendly feeling to this urban track. Quite dark and pushy.
Standard License
Deathmatch
Felipe Adorno Vassao
Pounding guitar riff combined with a Industrial Dubstep beat. Metallic and glitchy tones. Lots of balls and an evil spirit. Works with fight, boxing, UFC, MMA and anything that needs big cojones.
Standard License