Género de producción
Crimen / Gánster
Cut Culture
Wesley Devine
Here's a cool, laid back, hip hop track along the lines of DJ Premier and Wu tang Clan. The opening baseline and hi-hats create a gangster vibe which soon mellows into a more melodic and jazzy feeling chorus section.
Standard License
Blasted Fresh
Greg Hamm
A lo, down beat Hip-Hop track with a funky strut. Slow, confident, cool.
Standard License
Break It Down
Piotr Pacyna
Hard rock style guitar riffs with slamming big beat drums. Gritty, confident and relentless. Think big engines, metal against metal. The 'No hard synth' version omits the aggressive arpeggio that comes in at 01:37.
Standard License
Black Heart
Bjorn Lynne
Very dark, sinister and twisted mixture of orchestra and electronics. Big pounding drums, edgy staccato strings, cold synth textures. Action thriller, Spy mission, Undercover operation, etc.
Standard License
Nitro Glycerine
Bjorn Lynne
Hard, gritty, techno rock. Filtered and distorted bass guitar, processed drums and biting guitar riffs. Similar to Crystal Method or The Matrix etc.
Standard License
Destructo
Felipe Adorno Vassao
Pounding live drums and heavy metal guitars combined with distorted synths. Funky metal groove, ideal for radical sports, fighting, MMA, Military and any other masculine subject.
Standard License
Toxic Capsule
Krzysztof Rzeznicki
Low, rhythmic bass sequence. Spatial, unsettling effects. Overdriven percussion. Ideal for science, mystery, darkness, laboratory, criminal mysteries. Science / Mystery / Tension.
Standard License
On The Edge
Dmitri Belichenko
A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually until it bursts into a hard edged, gritty Dubstep beat. Good for action trailers, extreme sports, battle / warfare and more. Tech/Mech feel.
Standard License
Sweltering Heat
Julio Kladniew
A dark and ominous underscore with ambient guitar sounds. Mysterious and with a feeling of unbearable heat, or a dark, damp place. Think Breaking Bad, Banshee or other modern western, or doom laden TV / Film music.
Standard License
Bomb
Daniel Peter Morrissey
Guitars and synths brutally battle it out for supremacy separated only by a soft spacey b part that lulls you into a false sense of security before the frantic duel begins again. Contains guitars, synths, strings, bass, drums.
Standard License
Last Resort
Stefan Bode
Big Beat track with a rough, determined attitude. Strong beats with mid-tempo guitar- and synth riffs. A little bit trippy. Good for action, sports, crime in progress / getaway, dirty and gritty footage etc.
Standard License
Deconstructing The Obvious
Piotr Pacyna
Minimal, sparse track with hypntoic bass, pulsing synths and light percussion. Think crtime, tension, investigation, finding clues, solving mysteries.
Standard License
Let's Get Ready To Rumble
Luke Bosworth
A fight is brewing in this grungy rock track. A menacing introduction to the piece sets the tense nature and builds as tempers overflow into an aggressive guitar based soundtrack. Dramatic and hard, this has a really forceful atmosphere.
Standard License
Dead End Chase
Bjorn Lynne
Fast, frantic and hard hitting semi-orchestral, semi-electronic music for action, fight or racing scene. Distorted, twisted guitars, deep brass stabs, extremely fast techno breakbeat. Chase or battle material.
Standard License
Stalker
Joe Williams
Synths with tight electric guitar and drum accents. Leads into quick rock sequence.
Standard License