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Wesley Devine
Rapture
Wesley Devine
An eerie and somewhat dramatic Drum'n Bass / Breakbeat track, The beats are kept to a relatively subtle level, something important and epic, Grimey and glitchy breakbeats combine with an orchestral sound and foreboding / mysterious feel,
Standard License
Agony
Wesley Devine
Sizzling deep funk. Rough, dark, pumping and oozing. Subtle, foreboding, like something dark and powerful simmering under the surface. Downtempo, with a funky hip hop feel. Otherworldly, weird, not quite of this world.
Standard License
Tiger Tech
Wesley Devine
A-tonal Techno stabs and synths dance over a grooving bass line, mechanical and wonderfully weird, great with technology, sports, urban / streets, extreme sports, funky machinery and much more.
Standard License
Into Hell
Wesley Devine
A fierce, almost ugly, electro / hardcore / metal rock crossover track, Very dark, with mangled and twisted sounds of rock and electro mayhem, Destructive, post apocalyptic, Harsh, unfriendly and chaotic, Not for the faint hearted.
Standard License
Funky Future
Wesley Devine
Happy and contented, 303 acid bass and breaks combine with dreamy synth licks and pads to create a floaty but funky, chilled out vibe that gives a sense of moving forward / positive reflection. Ideal for use in advertising or inspirational scenes.
Standard License
Get The Funk
Wesley Devine
Relentlessly grooving funk bassline with drums, funky guitar licks and occasional horns. Slap bass. Continuous, tireless forward stride. Groovy / rough / attitude. Funk with a mean streak.
Standard License
Gotta Get Down
Wesley Devine
Big sounding funk guitars and bass mixed with heavy breakbeats and sax and featuring the scratched vocal refrain, '
Standard License
The City Don't Sleep
Wesley Devine
Dark and gritty electronica featuring the vocal refrain.
Standard License
Critical Levels
Wesley Devine
Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scene theme. Super fast-paced and relentless, imagine the moment when the heist crew accidentally trip the alarm and need to make a sharp exit! .
Standard License
Breaking Point
Wesley Devine
Huge, snarling and slamming Dubstep style bass-line that wobbles and glitches emerges from a haunting background of elfin choirs and a distant tom-tom pulse. Completely evil and nasty, gaming videos, futuristic conflict or technology scenes.
Standard License
Havana House
Wesley Devine
Funky Latin House, Dance Pop, Nu Disco track, available with or without the horns. A funky track that will go well with lifestyle, entertainment, fashion, travel and much more. Uplifting, fun, groovy and positive.
Standard License
Bass Addiction
Wesley Devine
Tough, deep bass, piano and synth riff reminiscent of the late eighties, early nineties breaks scene. Works great for free running, parkour and urban culture / break dance scenes, high energy, fast paced, extreme sports.
Standard License
Running Scared
Wesley Devine
Hectic and busy, hurried and frantic, industrial-electro track. Chase scene, battle or fight, sports or action and more. Gritty guitars, twitchy synthesizers and fast electro drums. Stressed situation, urgent, urgency.
Standard License
Funk Smiley
Wesley Devine
A feelgood jazz-funk track with a subtle, but infectious groove. Available with or without funky horns. The sounds of the 1970's combined with today's contemporary dance music production style.
Standard License
Disco Down
Wesley Devine
Funky, cheeky house/disco grooves with attitude, Combines some of the 1970's disco feel with house / dance beats of the 2000's and beyond, A bit raunchy, sexy, with a fresh, funky, confident strut, Fashion, hot club, retro chic.
Standard License