音楽ジャンル
インダストリアル
Under The Surface
Stefan Bode
Dark electro groove, Rough, edgy, but restrained, Like an awesome force of power simmering just underneath the surface, Unstable / foreboding / pulsating, Tech-step with a somewhat futuristic feel.
Standard License
Distorted Reality
Dmitri Belichenko
A cinematic and edgy track with elements of movie / filmscore and hard edged Dubstep. Dramatic and epic, with piano and strings in a tense first half, and then bursting into a mechanical sounding, robotic, mean and gritty Dubstep beat in the last third.
Standard License
Living Dnb
Stefan Bode
Drum'n Bass with Dubstep / Dub and Glitch tentencies, Gritty and choppy, heavily processed, Edgy, with a mechanical, almost dirty feel, A middle part takes it all down to a dreamy / heavenly / fantasy soundscape.
Standard License
Fear Factor
Wesley Devine
Industrial breakbeat techno-rock. Nasty and grinding, gritty and dirty, with a relentlessly pumping, machine like, unfriendly and unsettling synth grind like claxon, heavy slamming electronic drums. Choppy, stuttering, mechanical, dark future funk.
Standard License
Andromeda
Stefan Bode
Funky Deepstep / Dubstep, Moving, grooving, swirling beats in 'half-time' 140 BPM with futuristic synth layers, Good for cutting edge media, technology and robotics, sci-fi and sci tech, Also for sports montages, rough footage.
Standard License
Finding Your Way
Stephen William Cornish
Starts off with a determined, tense part which speeds up, and is then contrasted with a mellow R 'n' B section which seems to move at a much slower pace.
Standard License
Beat Lab
Pierre Gerwig Langer
A gritty, powerful and edgy blend of Big-Beat, Hard Rock and Electro-funk. Hard edged big beat drums, heavy distorted guitar and a very determined, slamming rhytmic feel gives this track a dominant, aggressive, heavy feel.
Standard License
Bad Man
Wesley Devine
Dark and gritty, urban funk, hip-hop, breakbeat. Downtempo, grinding, distorted bass guitar riff and retro funk drums. Gangster, bad ass, criminal etc. Available with or without 'bad man' vocals hooks.
Standard License
It's On
Daniel Peter Morrissey
Electronic pulse with a rough, cold, determined groove. Think spy, secret agent, police operation, criminals, crime in progress. Can also be machinery, industry, technology, moving parts etc. Or gearing up, getting ready for battle or contest.
Standard License
Doom Machine
David Flavin, Kenneth Favell
Aggressive, in your face, industrial track. FX and synth riffs throughout.
Standard License
The Take
Pierre Gerwig Langer
Edgy, rough and determined electro-funk / techno crossover with a Big Beat sound. Hard edged staccato synth licks. Aggressive, dominant, mechanical and forceful. Good for car chase scene, mech warfare, modern war machines, fights and brawls, etc.
Standard License
Rock Invictus
Stefan Bode
Edgy electro-rock. Biting and gnarling guitar riffs combine with acidic synths for a twitchy, uneasy, Big Beat / Drum 'n Bass / Industrial rock track with a strong edge. Use for crime / criminals, dirt and grit, chase or getaway, edgy sports footage etc.
Standard License
Industrial Trailer
Yuri Sazonoff
Industrial electonica type of track with sounds of machinery working as a part of arrangement. Track gives you feel of a conveyer or machinery at work.
Standard License
Strong Presentation
Julio Kladniew
Fast an furious short track, dynamic and effective. For programme intro, branding, opening splash screen, or any other multimedia presentation.
Standard License
Hybrid Human
Krzysztof Rzeznicki
Acid sound design, raw electronic with solid dubstep drums. Gritty / Dangerous / Power / Robotic.
Standard License