アーティスト/レーベル
Classical Music for Media
Slow and grave, ('Lent et grave'), the third Gymnopodie is perhaps the most heartbreaking. The whole ambience is punctuated by mournful melodies that have become so popular in modern productions.
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Delicate lullaby for piano written by Chopin as variations on a theme. It showcases the inventiveness of the composer as ideas evolve. Lose yourself in this sweet and mellow composition.
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$3495
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Bold and distinctive piano melodies and chords ring out with regal and noble fashion. This is the first promenade in the suite, 'Pictures at an Exhibition', which depicts a tour around an art gallery or collection.
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A playful waltz with a slight tinge of regret. 'The Farewell Waltz', was written by Chopin for a love he was once engaged to. An affectionate piece with a hint of sorrow and melancholy.
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A beautiful, flowing introduction leads us into a magical fantasy. Sweet and tender, this is the first of Debussy's 'Deux Arabesques'. Written in E major and played at a slow tempo it gives a regal, emotional tone.
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A fast, dramatic and energetic end to the famous Moonlight Sonata, presto agitato - which means fast, in a hurry and agitated. The pianist gives a fantastic rendition of this high tempo work. Piano Sonata No. 14 Opus 27 No. 2.
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Gymnopodie No. 2 has an aura of sombreness about it. 'Lent et triste', (slow and sad), is the instruction to the player. Very atmospheric with a feeling of calm resignation. Huge amounts of space in the composition for thoughtful reflection.
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The second on Debussy's Arabesques is faster, brighter and more lively.
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A typical baroque style piece. This was originally written by J. S. Bach as one of the movements in a suite composed for the lute. Popular with classical guitarists, it has a very rhythmical, almost march-like feel.
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Brooding and oozing passion, this cross between Spanish flamenco and classical styles is one of the most famous solo guitar pieces.
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Slow, ('Lent' in French), and free-flowing, this track evokes an almost daydream like state. This is the first of three works to be given the name Gnossienne name by Erik Satie to reflect this new style of composition.
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The start to this Chopin waltz is elegant and almost sedate. But then the contrast is shown by very fast sections that leave you whirling and spinning with delight.
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Playful melodies begin this intensely moving work. Schumann keeps the emotions ebbing and flowing as the dynamics rise and fall in this deeply accomplished composition which was written when he was just 29 years old.
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A mood of intense yet subdued emotion marks the overall feeling of the second Liebestraum composed by Liszt. More dynamic than the first and third parts it shows a less confident side whilst still retaining its passion and sentimentality.
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